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Amazing Body Paintings (BB++)

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During the 1st World War two American soldiers called Don and Bob were injured simultaneously. Both of them were fast friends. Don died immediately but Bob recovered after he was treated by competent doctors. The problem was that when Bob became fit and healthy a great change was noted in his attitude and behavioral pattern. Bob hence forth behaved exactly like his beloved dead friend Don. In fact Bob called himself "Don". After the war ended, Bob left for Don's home instead of his own residence. There Bob met Don's parents and he experienced that very joy which Don previously experienced.

Despite Bob's psyche and behavior being exactly like that of Don yet Bob's gross physical body was not like Don at all. Meaning Bob's body was entirely his own. Don's parents refused to accept Bob as their son. This made "Don" in Bob's psyche/soul sad and sorrowful. Hence Bob recounted past incidences of Don's life which were known only to Don and his parents. Thus Don's parents were convinced that although Bob was physically different from their son Don yet Bob's soul and psyche perfectly matched those of Don. It was clear that Don's soul had taken over Bob's psyche. This incident now posed a great challenge to Modern Science especially Psychology.

A very similar amazing incident took place in Spain. One day 2 girls were traveling together in one bus. One was called Hala and the other Mirtgol. After some time the bus got involved in a road accident. Mirtgol died immediately in this mishap. Although Hala was not injured yet out of sheer fright she became unconscious. She regained consciousness after a few hours. The relatives of both these girls were informed about this bus accident. Relatives of both these girls reached the accident site. Hala's father ran towards his daughter crying aloud: Dear Hala! But he was amazed to hear Hala saying: I am not Hala. I am Mirtgol! Saying thus Hala ran towards Mirtgol's father. When her relatives felt that Hala was experiencing a memory loss situation they placed a mirror in front of her face. Instead of her delusion ending Hala exclaimed: Why has Mirtgol's face changed (into that of Hala)? Hala's father was a humble farmer. Hence Hala was not very highly educated. Mirtgol's father was a well known Professor. Mirtgol was a college student and was well versed in many subjects.

Hala's father some how managed to take Hala back to their residence. Hala went back to study in that high school where she was studying so far. Over there all her co-students and teachers were amazed to see a great change in Hala's behavior and attitude. One day Hala went to the college where Mirtgol studied when the latter was alive. There Hala gave a scholarly lecture on Spinozoa's scientific teachings to a class of college students. All the college teachers now concluded that it was Mirtgol's soul that had manifested in Hala's physical body. Certain experiments too were conducted on Hala's behavior and psyche pattern and they too gave the above conclusion.

The world famous painter Goya's soul entered the inner personality of a widow called Henroitte. This is a well known episode in America. In this new body of the widow Goya painted a masterpiece painting called "Cow-herd Maiden". On the other hand Henroitte had never in her life time painted even an ordinary painting. Hence forth American scientists accepted that Goya's soul indeed had entered Henroitte's body which explained the creation of such a marvelous painting!

This incident took place on 7th November 1918 during the 1st World War. A French boy called Ted shouted aloud one day saying: Dad is about to die. Ted's father was fighting this war for France in a far off region. Ted continued screaming: My father is shut in a dark cell. He cannot see anything because of darkness. Ted's relatives could not understand why he was shouting aloud thus. In a few seconds Ted became unconscious. After a certain length of time when Ted regained consciousness he said: Now my father will become alright. Ted's family members at that time presumed that whatever Ted spoke before and after becoming unconscious about his father was a bad dream seen by Ted. Thus they all went about their chores and forgot about this incident.

After the 1st World War ended and Ted's father returned home he remembered that incident related above. Ted's father said tat on 6th November I escaped the jaws of death. Everyone asked Ted's father as to why and how he escaped death? Ted's father replied: On that fateful day I entered a chamber of deadly gas fumes. Thus my life was in great peril. My vision too became so weak that I could virtually see nothing. At that time a boy similar to my son Ted came near me. Of course it's a wonder how he could come there in the midst of a raging war! He opened the door of the gas chamber and after holding my hand he helped me escape from the chamber. Immediately my army unit soldiers realized what had happened and they took me to a nearby hospital. While Ted's father spoke thus Ted's family members immediately understood why Ted who was miles away from the war front had cried and shouted aloud thus on that day in his home.

A similar incident took place in the life of an Italian priest called Alphonsis Ligadari on 21st November 1974. On that eventful day Ligadari went into such a deep sleep state that despite others trying to wake him up he did not wake up. Many wondered whether he was dead. In order to test this they checked his breathing process, pulse etc and found that the priest was very much alive. For many hours he slept like a log. When he awakened he saw that he was surrounded by many well wishers and friends. Ligadari told all of them: I must share with you some very dire news. Our beloved Pope has just left this mortal world. Everyone said: You have been sleeping like a log for quite some time now, hence how do you know about revered Pope's death?

Ligadari said: I had left this body of mine and had traveled (astral body) to Rome. I have just returned from there. And yet his friends thought that Ligadari has just woken up from a dream and that he must have seen Pope dying in his dream only. After 4 days they got news that revered Pope had passed away. Further his death had occurred exactly at the time Ligadari was in deep-sleep like state. Thus everyone was dumbfounded and wonderstruck!

Despite an individual staying in one region of our planet Earth, he/she can send 'messages' to other parts of the world via his/her soul force (telepathy). In the examples given (above paragraphs) knowingly or unknowingly the subtle body was used as a medium of message transfer. If we activate our subtle body many important and otherwise impossible tasks can be carried out with its activated infinite divine power. In the year 1626 a similar incident took place in Algeria's Captain Tubo's life. It gives us an in depth proof of the existence of our subtle body and its infinite potential. Once, Captain Tubo was returning from a very small village of Algeria, after treating some ill patients there. The village chief Abdul accompanied Captain Tubo when the latter was returning.

After Abdul thanked Captain Tubo Abdul also told him about the miracles with reference to an awakened subtle body of a human being. Not only did the Captain ignore what Abdul said but also exclaimed that such miracles are mere fantasies of our mind. But Abdul refused to budge from his viewpoint and he told Captain Tubo that he could prove every thing about the existence of this miraculous subtle body. And yet when Capatain Tubo shook his head in disbelief Abdul entered a short meditative state and then said: Capatian! Look behind you. When the Capatain looked behind he saw in amazement that on a wall hung his most favorite painting. This painting was actually the one which the Capatain had lovingly adorned the walls of his residence in Paris i.e. miles away from this tiny Algerian village.

It is simply dumbfounding to note that on this very day Captain Tubo's father Pierre lodged a complaint with the Paris police saying that his son's precious painting valued at 1 million Rupees was stolen from their residence. The Police Commissioner was Pierre's close friend and hence when he got to know about this 'theft' he ordered his best Secret Service Agents to solve this robbery case. It goes without saying that none of them could recover the painting. These police officials checked for finger prints, foot marks etc of the robber or any such clue but amazingly none were found. Pierre then contacted his son Tubo in Algeria and told him about the painting's theft. When Tubo told his father and the Police Commissioner about the painting seen by him in far off Algeria everyone was dumbstruck.

If we deeply reflect and analyze the above incidents we can get due inspirations, directions and wisdom from them. Hence we can definitely conclude that beyond this visible physical human body lies a subtle body which cannot be seen by our gross eyesight. The fundamental unit of the gross body is 'protoplasm'. Hence what is the fundamental unit of our subtle body? This question needs to be meditated and analyzed deeply and yet it is the bare reality that within the gross body exists, an invisible subtle body. The existence of a subtle body is clearly mentioned in Indian Philosophy (Vedas, Upanishads, Yoga texts etc). Indian scriptures proclaim emphatically that the subtle body is infinitely more potent and miraculous than our gross body made of flesh, bones, blood etc. It is a fact that our gross body functions totally under the direction and power of the subtle body. If the subtle body leaves (at death) the gross body becomes lifeless and a mere corpse.

This subtle body is made up of powerful vital forces. There are 5 very potent vital forces and are represented by 5 demigods or Divine Principles. Our scriptures say that even if one demigod helps a human being attain immortality imagine what that person can attain both materially and spiritually if all 5 Divine Principles/demigods help/influence this human being subtly? The following incidents (next chapter) can give us a glimpse of the omnipotence of these 5 Divine Principles/demigods. With our gross sense organs and psyche we can never get its actual experience. It can only be attained by a psyche which is sacred and focused (concentrated one pointedly)

Beautiful woman in the World Body Painting Festival

Beautiful woman in the World Body Painting Festival

Beautiful woman in the World Body Painting Festival

Beautiful woman in the World Body Painting Festival

Whenever one sees a picture of a hut, one thinks of Africa. Indeed, huts have been the defining architectural hallmark of Africa, and throughout the continent, they have been the preferred building style.

Huts are a form of living space. Huts are usually round, with a peaked roof. They are usually made of mud or clay, with a wooden structure to support the building, and a single wooden pole in the centre, which supports the grass-thatched roof.

Many critics of Africa claim that Africa can boast no great cultures south of Egypt. By that, they often mean that there is no architectural evidence of greatness south of the Pyramids. Indeed, architecture or architectural remains are the accepted calling card of the so-called 'great cultures'.

While most of Africa can boast no such fossil evidence, there is reason to believe that the architectural choices made by the Africans thus far are neither as accidental nor as simplistic as they may seem.

For one, most of Africa is warm to hot throughout the year, without an extended winter period. The most uncomfortable climatic period is the long rains, during which it rains a lot, mostly every day. However, in most of Africa, it showers, rather than rains. That means a quick and voluminous period of precipitation, unlike rain in Europe for example, which may be a slight but continuous precipitation. In addition, most of Africa, which lies at the equator, experiences almost equal twelve-hour periods each for night and day. This is in contrast to for example Europe, where in winter, darkness may be up eighteen hours long.

As such, most of life in Africa is lived outside. A shelter is needed only for the night, against the cold and as shelter from wild animals. There has never been a need to invest as heavily in shelter as has been done in Europe for example. Strictly speaking, there was rarely a situation in Africa where lack of shelter would have been life-threatening. In many African cultures, nomads, hunters, warriors and messengers were often away from home for long periods without having shelter.

Huts are often small, and made of the readily available mud or river clay, plastered over a skeleton of branches. They were completely inexpensive in both materials and labour. In many cultures, the women did the plastering, while the men did the thatching of the roof. Among the Maasai of East Africa, the woman builds the whole structure, which is referred to as a manyatta.

Because of this relaxed philosophy to shelter, the Africans were not enslaved by the acquisition of shelter as is often the case in the modern world. In today's globalised world, buying one's home is a lifetime liability that forces one to live chained to a mortgage, under the Damocles sword of a foreclosure. The exploitation of this fear in the U.S.A. contributed to the current worldwide financial crisis.

It is also worthy of note that almost all the famous architectural monuments of the great cultures were built by employing slave labour, forced and semi-forced labour. That has never been necessary in Africa south of the pyramids. In fact, shelter was so inexpensive that the nomads could walk away from their huts at a moment's notice and walk off into the savannah - the epitome of freedom.

It also meant that no family was ever without shelter because shelter was unaffordable, unlike in today's world where many families become homeless if they experience a financial upset midway through their mortgage.

In many parts of Africa, the huts were renovated and renewed once a year, after the harvest season and before the next rains. This was the period with the least work and was like a holiday. The harvest was in, and next agricultural season had not yet begun. The women renovated the walls of the huts by plastering with a new layer of mud or clay. White or ochre-coloured river clay was used as a cosmetic finish inside and outside the hut, as well as on the floor. Communities that had no access to river clay used a mixture of cow-dung and mud, or ash.

A good African housewife took this duty as seriously as caring for her own body. A capable wife could be identified by her impeccably-kept hut(s). The regular renovation also served an important hygienic function: river clay is a very clean and wholesome material that discourages the breeding of insects and other pests. Both clay and dried cow dung are similar to ash in this respect. Cooking-fire ash from non-poisonous burnt wood is pure enough to be used as an alternative for toothpaste.

Renovation also gave the woman a creative outlet: she could paint whatever motifs on her walls that she wished. The men re-thatched the hut(s), using grass, such as elephant grass which was mostly cut by the women. Among the Masaai, the women did the renovation work as the men were often occupied with the full-time job of protecting the tribe from lions and other dangers lurking in the savannah.

A very satisfying effect of this yearly renewal was the psychological effect. There was an atmosphere of renewal every year; of new life, of a fresh start, of soul cleansing and a doing away with the past. Every year. This is a very healthy psychological perspective. Festivals featuring dancing and feasting also accompanied this period.

In today's world, acquiring a home has such a finality to it. A sense of being rooted and captured by one building for one's lifetime.

Because they were low-cost, huts were also very flexible. One could build a homestead of huts: one for cooking, another for sleeping, another for receiving visitors, and so on. Every time one needed a new hut, one simply built one. Adolescent boys were given a piece of land where they could build their own huts, a distance away from the rest of the family. Their privacy was assured, and their activities within their huts were nobody's concern. A lot of adolescents today would appreciate the idea of having one's own hut.

Huts are very comfortable and exactly right for many parts of Africa. This is mainly because of the building materials used. Both clay and grass are good insulators, but are porous, and so allow a free flow of air. It is often very hot during the afternoons in Africa. The hut remains cool and is a welcome resting place. At night, when temperatures fall, the hut retains its daytime temperature, keeping the inhabitants warm.

Huts are also very low-maintenance. A well-renovated hut only needs to be swept once a day with a straw broom. There was no need to wipe, polish or dust. Accidents with liquids were undramatic because the liquid was simply absorbed into the earth. The only real danger was fire, since the thatched roofs could burn very quickly, trapping the people inside.

Recently, an architectural team in Switzerland has 'discovered' the virtues of clay as a building material. Clay is a strong, durable material that is easy to work with. Applied correctly, it can be used to build structures that are stable, durable and aesthetic without necessitating the use of paint and cement. Most important of all, clay is healthy. It has now been proven that clay filters out toxins from the environment. Modern building materials like cements, paint, fillers and metals release toxins that compromise human health and well-being. A building made of clay or mud is completely eco-friendly, provided the initial source was safe.

The Africans knew that a long time ago. Huts, made of natural 'earth' materials, fitted in with their basic philosophy of drawing on nature for all their needs, and only in the amounts that were needed. For example, calabashes and gourds were used as containers for milk, water, local beer, porridge, honey or any other liquid. Cooking pots were made of clay, as were water pots. Cooking sticks were made of wood.

Water stored in a clay pot has a pleasant, natural coolness, and smells of earth. Drunk out of a calabash, it has an additional woody flavour. Food cooked in a clay pot over a wood fire retains an inimitable earthy aroma, especially fresh beans or meat dishes.

Sleeping mats or sitting mats were woven out of rushes or made of animal skin, as was clothing. Some people constructed a raised clay platform covered with animal skins or rush mats to act as a seat or a bed. Stools were made of wood or woven from rushes. Women wore jewelry made from bone, horn, wood, stone, clay, beads or woven rushes. Foodstuffs were carried or stored in woven rush baskets or clay pots.

This philosophy of living in harmony with the bounty of nature led to zero garbage, since everything was biodegradable. Indeed, until the advent of modernity and urbanisation, Africa was a continent of natural beauty preserved in its entirety.

Sadly, present-day Africans are jumping wholesale onto the bandwagon of expensive homes built of derived materials, which require a lifetime to pay for and a fortune to repair and maintain. The materials used in modern buildings trap heat, smells and moisture and are often derived using procedures that harm the environment. The houses lack the wellness effect of sitting in a hut built entirely out of the earth. They are in keeping with the modern day trends of inflated consumerism, self-definition through possession and a careless disregard for the planet.

Happily, some are rediscovering the enchantment of huts. They have been re-designed in some cases to be much larger, with large windows, or combined in intersecting or interconnecting structures. A famous hotel in Nairobi, Kenya is built using this concept, with treated straw used for thatching.

Indeed, more and more people are re-discovering why Africans lived in huts.

My name is Lamaro Schoenleber. I am female, African, and live in Germany with my husband. I hold a doctorate in Clinical Psychology and remain active as a therapist and researcher, though currently battling a life-changing and debilitating chronic illness. I am attached to Mbarara university of Science and Technology as a lecturer and researcher into clinical and educational Psychology. I love to write, especially about real life situations mostly related to Psychology.

I used to be merely knowledgeable, but due to my own experiences with chronic (and maybe eventually terminal) illness, migration, forced migration due to war, therapy and teaching experiences, I have discovered a depth of experience that adds real life confirmation to knowledge. This has proved to be persuasive to a lot of people, including my patients. In my opinion, knowledge is most persuasive when it gets personal, and this is what I try to do in my writing.